Elgato Wave XLR Vs Audient EVO 4

The Elgato Wave XLR Vs Audient EVO 4 audio interface is perfect for a simple setup. They are affordable, powerful, and easy to use. You can plug a dynamic or condenser microphone into the interface and enjoy the preamp performance. They also offer additional features to improve the experience so let’s see below before deciding on the option.

In this comparison, we are going to talk about:

  • How to Choose an Audio Interface
  • What are Elgato Wave XLR and Audient EVO 4
  • How is the Design of Elgato Wave XLR and Audient EVO 4
  • How are the Interface of Elgato Wave XLR and Audient EVO 4
  • How are the Specs of Elgato Wave XLR and Audient EVO 4
  • What are the Features of Elgato Wave XLR and Audient EVO 4
  • How is the Performance of Elgato Wave XLR and Audient EVO 4
  • Elgato Wave XLR Vs Audient EVO 4

Buying an Audio Interface

The basic audio equipment is a microphone because this tool will help you capture sound for amplification or further processing. The microphone usually has an XLR jack or cable, so it needs to go through something before the computer can use the data. A modern setup has a standard microphone with an audio interface and a computer with your preferred software. The audio interface is crucial to converting the analog signal from the microphone to the language that our computer can read.

There are some factors to consider when buying an interface because while every one of them has the same functions, not all will offer the same performance or features. First, consider your needs based on what you want to do with them. Knowing what you use the interface for will help a lot in deciding which model will fit the application best. We can start from the amount of input to use at once, the type of connector you want, the availability of phantom power, monitoring features, etc.

The second is considering the interface itself. Most audio interfaces will connect through USB-C, but they can use FireWire or Thunderbolt and some other proprietary connector, depending on your machine. Sound quality is also essential, but modern interfaces work reliably, and in general, it is rarely what affects your decision. Last is the price point because not everyone will want to spend the same amount. There are many great and affordable audio interfaces for around $100 with one or two inputs.

 Elgato Wave XLR Audient EVO 4
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Product Dimensions3.46 x 4.65 x 3.31 inches
5.51 x 2.64 x 2.64 inches
Shipping Weight10.6 ounces 12.7 ounces

About Elgato Wave XLR and Audient EVO 4

After you have an image of what to look for in the device, it is time to see what the market offers. Besides listing your preferences, we can see what other users are buying because the popular options tend to work reliably. You also et a community to help troubleshoot if it occurs later. The simplest way is choosing based on the amount of input and output you want. Users who only connect one mic and headphone to the interface can select the compact variant.

Some of the best interfaces for simple setups are Elgato Wave XLR and Audient EVO 4. You can connect either a dynamic or condenser microphone to the interface and use the onboard system to provide power or adjust the signal. What’s surprising is that EVO 4, which virtually offers more than Wave XLR, is cheaper, making it an exciting option. We don’t have any issue with the overall performance because they work well, but the additional features will surely affect the decision.

The main difference between Elgato Wave XLR and Audient EVO 4 are the inputs and gain range. What you will get from EVO 4 is a double XLR combo jack, meaning we can plug two XLR microphones or inputs to the interface and power both simultaneously. On the other hand, the Wave XLR benefits from the high gain range. A high gain range is necessary if your dynamic microphone is power-hungry like the SM7B, but EVO 4 should be capable for most microphones.

These differences will help you decide which interface fits the setup the most. Not everyone will have the same equipment, but if you are starting and haven’t bought the microphone yet, we recommend the Audient EVO 4 because it is more affordable and has more inputs to give you more freedom.

Elgato Wave XLR and Audient EVO 4 Design

Before checking what the Elgato Wave XLR and Audient EVO 4 can offer, let’s look at the unit first. We have talked about similar interfaces, such as Elgato Wave XLR Vs Focusrite Scarlett Solo, and always adore the built quality of the Scarlett interface. But, these two are made of plastic, so they don’t feel as robust or sturdy. However, we love that they are small and have a fairly easy-to-understand interface. Coming from Scarlett, the UI is not as intuitive, so read the manual first.

They have the same large knob at the front panel to adjust the level of each model, so we need to change the mode every time to adjust a different feature. Both equipment uses a USB-C port, and they only come with the standard cable. The shape of Elgato Wave XLR is unique because it is a triangle and the design allows you to tuck the connector behind, leaving a clean appearance. The EVO 4 is like a brick with an interface at the top and I/O on the rear and front.

Elgato Wave XLR and Audient EVO 4 Interface

Now let’s take a closer look at the Elgato Wave XLR and Audient EVO 4. Starting with EVO 4, there are two XLR combo inputs on the back of the unit. XLR combo is convenient when you have different microphones that use XLR and TRS jack. Next to the inputs, you have a balanced monitoring output for your powered speakers, and next is the USB-C for powering and connecting the unit to a computer. At the front panel, you can find one instrument input and a headphone output.

The interface is too simple but also workable. You can find the button to activate phantom power for each input, a headphone volume button, and mix control. The knob in the middle has LED lights that go almost all the way, and it functions as a monitor, such as to indicate when the signal is clipping. The Wave XLR’s interface is too simple, and it can be confusing for some. There is only one button which is also the knob. You can press it to change the modes.

There is a set of LED lights at the front to indicate what mode the setting is on. The inputs and outputs are on the back, where you can find a single XLR connector with a headphone jack for monitoring and USB-C for power. At the top cover, there is a capacitive surface where you can touch to mute/unmute the microphone.

Elgato Wave XLR and Audient EVO 4 Specs

Next, for the specs, both Elgato Wave XLR and Audient EVO 4 are similar but also different. The EVO 4 can use two inputs or a microphone as it has two preamps so that you can use a condenser or dynamic microphone. The gain range on this interface is only 58dB which is a bit on the low side depending on what you will use. The noise level is super quiet at -127dBV, and the dynamic range is very high at 113dB. The Wave XLR has a dynamic range of 100 or 120dB, equivalent input noise of -130dBV, and a gain range of 5dB.

Elgato Wave XLR and Audient EVO 4 Features

A convenient interface is not complete without the convenient features that you can find on the Elgato Wave XLR and Audient EVO 4. Starting with Wave XLR, the interface has a dedicated mute button to mute the microphone quickly. The faceplate is also removable if you want to change or modify it. The most interesting feature is Clipguard which, as the name suggests, helps with clipping to maintain audio quality when the microphone picks up a loud signal, such as when you scream or speak loudly.

On the other hand, EVO 4 also has a dedicated mute button which is also the input selection 1 and 1. The interface has an exciting feature Smartgain (the green mic button), which automatically helps balance your input’s gain. We can use this feature for one or both inputs and let it analyze the audio for a while before the system makes the automatic adjustment. In addition, both audio interfaces also have dedicated software to control the parameters digitally.

Elgato Wave XLR and Audient EVO 4 Performance 

The performance of Elgato Wave XLR and Audient EVO 4 is equally good, depending on what microphone you choose to use. Some microphones are very low in sensitivity and require plenty of gain to drive properly. We don’t find an issue with a typical condenser microphone, but if you have a gain-hungry dynamic mic like SM7B, the gain range may not be sufficient and require you to add a cloud lifter. The Wave XLR’s gain range is better; it offers more than we need without a cloud lifter.

Elgato Wave XLR Vs Audient EVO 4

Both Elgato Wave XLR and Audient EVO 4 are good interfaces for beginners. They are also very affordable and relatively easy to get started with. The user interface is not the most straightforward, but it is still manageable as you get used to it. On the features, the EVO 4 offers more with two XLR combo inputs, preamps, and input for instruments. It also has beginner-friendly Smartgain to automatically tell you how to set up the gain. The Wave XLR has a higher gain range and Clipguard to prevent clipping.

- Premium XLR to USB-C connection
- Use the Wave Link app to mix Wave XLR with multiple audio sources, plus create two independent mixes
- Proprietary Clipguard technology prevents microphone distortion
- Up to 75 dB of ultra-low-noise gain amplifies insensitive mics
- Get better recordings with EVO 4's clean, warm accurate EVO preamps and high performance AKM converters.
- Start playing or singing and Smartgain mode will automatically set the level of your microphones.
- Record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
- EVO 4 comes bundled with a collection of professional software, giving you everything you need to start recording.


Most people will be happy with either Elgato Wave XLR or Audient EVO 4. But, if you have a mic that requires lots of gain or plan to buy one, the ideal choice without adding a cloud lifter is Wave XLR. But, if you use a regular condenser or dynamic mic that is not very demanding, the EVO 4 is cheaper and offers more features.

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