Tascam DR-100MKIII vs Zoom H6

Regardless of whether you are wandering into podcasting, reporting meetings or recording sound with your DSLR or mirrorless camera during video shoots, the perfect method to catch sound is through microphones. Notwithstanding, it is not always a doable decision, particularly in case you are on a tight budget or recording in a hurry. 

Luckily, there are huge amounts of convenient audio recorders that guarantee to catch great sound quality. What is more, on the off chance that you do not have any real technical information in audio recorders, you can pull off a decent quality digital audio recorder that you can connect with your PC. 

Regardless of whether you are searching for a basic digital audio recorder that you can carry with you anywhere or a more, progressively proficient one that you can use with microphones as a sound interface for each recording application, you will find one in our comparison article of Tascam DR-100MKIII vs Zoom H6. 

To help narrow down your decisions and assist you with finding a recorder that will suit your necessities and spending plan, look at our comparison article down below. 

Brief Description 


  • Tascam DR-100MKIII:


The profoundly proficient Tascam DR-100MKIII has outperformed its acclaimed sibling, the 100MKII, with its further developed A/B sound system microphone arrangement and capacity to record up to 24-piece/192kHz in sound resolutions. This massive yet helpful recorder utilizes A/B sound system innovation, where its omnidirectional microphones are deliberately divided to wipe out phase cancellation issues and catch more full and cleaner sound.

This makes the 100MKIII ideal for recording ensembles, symphonies, and drum packs, which you will see as exceptionally hard to record with simply some other recorder and an ordinary sound system microphone that is not advanced for catching consistent sound waves. Read also: Tascam DR 100MKIII vs Zoom H5.      


  • Zoom H6:


The significantly further developed Zoom H6 is held for the individuals who are serious about recording excellent sound, (for example, recording video with a DSLR). Like the H4n Pro, it serves as a sound interface so you can record straightforwardly to the sound recording program on your PC or Mac.

Its 6-channel recording capacity gives you more opportunity and adaptability to record from an assortment of sound sources, similar to instruments (beside numerous receivers). Regardless of its profoundly proficient highlights, the H6 is intended to be extreme, versatile, and compact, so you can carry it with you all over.

It even has a windbuster that includes an additional layer of sound security from the breeze. In case you are an inventive expert — podcaster, videographer, artist, or even a field criminologist — the H6 will end up being an entirely priceless instrument. 

 Tascam DR-100MKIII Zoom H6
Shop now at Amazonclick hereclick here
Product Dimensions1.4 x 3.1 x 6.1 inches
3.1 x 1.9 x 6 inches
Shipping Weight1.41 pounds
9.9 ounces



  • Tascam DR-100MKIII:


TASCAM’s most recent manifestation of their DR-100 Linear PCM Recorder — the MKIII handheld — is a tough and uniquely-equipped area recorder that is outstandingly highlighted in its flexibility, I/O alternatives and intuitiveness, and its fail-proof power supply redundancy scheme. Taking all things together, it is a mess of value for the money, making it seemingly the best handheld advanced sound system recorder available today, accessible for 399 USD street. 

It is incredibly quiet preamps, XLR inputs, mid side monitoring, and its size. The Tascam likewise uses two sound system recording techniques.

The menu framework is very much thought out, easy-to-explore alternatives, there is a function button to get to progressively utilized settings, for example, HPF, MS monitoring, battery choices, and level control. 


  • Zoom H6:


Truly, Zoom H6 is very stout in correlation with a portion of its rivals: it is still little enough for a grown-up to hold in one hand, however, not all that little that it can truly be classed as a ‘pocket recorder’. The friendly focal points of structuring big are very clear, however.

For a beginning, the packaging is thick and strong, which implies that the attachments for the tradable connections and the four XLR/TRS inputs are held immovably set up and are probably not going to break. There is additionally a strung opening on the underside for fixing the recorder on a stand, and that is immovably installed in the packaging. 

The huge surface territory has additionally empowered the designs to discover space on the top surface for some great estimated transport controls, in addition to a line of record-outfitting buttons for every one of the six channels, collectively making it easy to perform essential recording undertakings.

For instance, tracks inputs 1/2 and 3/4 can be matched basically by squeezing and holding their track select buttons, making it conceivable to set up three sound system recording channels rapidly. 



  • Tascam DR-100MKIII:


In the case of utilizing its built-in double sound system microphones, configurable in either AB and omnidirectional patterns or recording dual inputs through its two Amphenol XLR or combo jacks with switchable phantom power, the DR-100MKIII gives what most ace level field recordists would require in a sound system advanced recorder.

Furthermore, the built-in microphones sounds eminent, equaling incredible standalone small-diaphragm condensers; the dual inputs open up unlimited opportunities for sound catch since fundamentally any two sound sources, microphone or line, can be a contribution to the DR-100MKIII. 


  • Zoom H6:


The input level dials are very available and noticeable from the front, (despite the fact that you need to recollect that the anti-clockwise is a level increment in that position) and can be moved, without reference to the on-screen metering, until the LEDs not, at this point, streak. While regarding the matter of the input dials, it must be said that they are the main component, aside from the M/S microphones, which feels somewhat wobbly.

Fortunately, Zoom probably thought so as well, as every one is incompletely ensured by an edge of hard plastic.

Tascam DR-100MKIII vs Zoom H6

- Designed for the most demanding audio designers and engineers, combining robust reliability, an updated UI and studio-quality sonic performance
- Features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption
- The XLR/TRS inputs, used to connect external mics, deliver some of the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder
- Onboard dual stereo microphones with integrated shockmounts deliver flexible recording options with professional quality audio performance
- Direct recording to SD cards up to 128GB.Display 2.0-inch full color LCD (320 x 240 pixels)
- Gain knobs, pads, and phantom power for each input. Maximum Sound Pressure Input: 122 dB SPL
- Newly redesigned preamps with an ultra-low noise floor, up to 24-bit/96kHz audio in wav or MP3 format
- Mountable directly to dslr or camcorder with optional hs-01 hot shoe mount adapter. Multichannel and stereo usb audio interface for pc/mac/ipad

Final Verdict

The recording quality is amazing at this cost and, with simply the couple of featured exemptions, so is the construct quality. In this way, generally, both Tascam DR-100MKIII and Zoom H6 represent an extraordinary incentive for the cash, and for anybody needing to put resources into something which gives adaptability as far as recording alternatives, they genuinely stand apart from their competitors.


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