Tascam DR-60D vs Zoom H6

Tascam DR 60d vs Zoom H6 is going to be a very close call. Both devices are great at what they do. We’ve gathered some of the necessary data and reviews to help you decide which one is better for you. If you’re looking for a cheap sound recorder for dialogues and monologues, ambience and specialized sounds, backup for a main sound recorded, and speech-based recordings, then you’re in the right place.

Tascam DR-60D is designed specifically for DSLR and compact system camera users. But it’s also suitable for professionals in audio recording and able to provide a solution that takes DSLR sound recording to a whole new level.

Tascam DR-60D achieved a lot more than this, and if you’re serious about audio recording, you will be happy with its neat and well-features four-track field recorder and mixer regardless of what you’re recording.

Zoom H6 on the other hand, often hailed as the best digital voice recorded for professionals. It has a removable and high-fidelity microphone on its six-track recorder, complete with four XLR inputs that make it very versatile and probably the perfect choice to record your audio. See also: MXL Mics 770 Vs AT2020.

Both devices are popular among people who are looking for an audio recorder to record audio externally instead of using the audio from their video cameras. We’re going to assume that’s why you’re here. We will talk about the specifications of both devices to compare and find out which device is the better one.

Design

Let’s start from the design. Zoom H6 weights a lot, it feels like carrying a brick but on the other hand, it’s very well built and durable enough for traveling and location recordings. It can stand abuses and even some extreme conditions on the field.

For professionals or just anyone who loves to travel to specific locations to record their audio for films, podcasts, or even Foley artists will find Zoom H6 an ideal tool to bring.

While Tascam DR-60D is heavier than the Zoom, it is a well-thought-out device. The shape has been improved over the previous model. It’s now more user-friendly than ever. Its design is very compact and easy to carry around. They really want people to know that this device is meant to be carried around everywhere you go.

Using Tascam DR-60D is definitely much easier than using Zoom H6. Many people have reported that using Zoom H6 is like being in the cockpit of a jet plane. You have to be ready to read the manuals with at least 100 pages.

With Tascam DR-60D, it’s much easier than that. Beginners can use it easily even without having to read the manuals. You just need some familiarity with professional audio connections and controls. For a total beginner who want to read the manual, the Quick Start Guide is a good place to start. And don’t worry Tascam DR-60D still looks like a professional piece of equipment despite being easier to use.

Specifications and Functions

We’re not going into great details on the specifications, just to highlight some key functions and how it performs in real-world. Tascam DR-60D is great at its price range with many features to record the best audio you can get. it has:

·         Plug-in power for minijack.

·         Four channel recording.

·         Backup recording, so you can record two mics at the same time. One at normal level and another at a lower level.

·         Uses an SD/SDHC card as recording medium

·         XLR mic/line inputs can provide phantom power

·         Recording at 44.1/48/96khz, 16/24-bit, linear PCM (WAV format) in addition to ordinary stereo recording.

·         A reasonable audio limiter, reduces the signal level in real-time to avoid clipping. Not exactly at the professional level but still usable.

For Zoom H6 on the other hand, it has:

·         Interchangeable input capsules that can be swapped out as easily as the lens of a camera.

·         Six-track simultaneous recording. All WAV files recorded by the H6 are automatically time-stamped making them fully compatible with the Broadcast Wave Format (BWF).

·         Four mic/line inputs with xlr/trs combo connectors.

·         Gain controls and -20db pads for each input.

·         Records directly to sd, sdhc and sdxc cards up to 128gb.

In terms of quality Tascam DR-60D is similar to its predecessor Tascam DR-70D and it has a more convenient factor. It can be placed in between the tripod and your video camera or in a small bag for audio monitoring.

Audio quality wise it might not be good enough for audio enthusiasts, but it’s still good enough. The built-in X-Y mic is okay. During audio test, it has less hiss and more configurable but Zoom H6 has cleaner pre-amps.

Recording monologues is rather risky with only one microphone, two microphones is ideal—with a lavalier and a shotgun. That is not possible with the Tascam DR-60D, so if that is what you want to do the Zoom H6 is a better choice. Zoom H6 also has a couple of stereo microphones for a quick backup audio. It’s useful is many different scenarios.

But that being said, if you absolutely sure that you don’t need more than two XLR inputs, Tascam DR-60D might be a better choice as it’s much cheaper.

Battery life is another problem for the Tascam, it doesn’t last as long as the Zoom and it doesn’t come with a spare battery, so you better keep watching the battery life. Potentiometers not being analog could be a turn off for some people.

As for the Zoom the add-on XLR unit is sold separately for $69.99 and has lower-grade preamps at its price range ($299) and definitely much more expensive than the Tascam at $189.

Tascam DR-60D vs Zoom H6

- ENSURE YOU BUY GENUINE TASCAM PRODUCTS! Products from sellers which say ‘fulfilled by Amazon’ under the price MIGHT NOT be an authorized TASCAM reseller, and might not be selling genuine TASCAM products which would forfeit any manufacturer warranties.
- Fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in
- Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution
- Two mic inputs utilize locking XLR connectors with 48V phantom power; the other two use a 1/8” stereo connector for wireless and lav mics
- The Zoom H6 is the most advanced portable recorder ever, great for live recording as well as studio-quality music production
- Includes both XY and mid-side microphone modules
- Record up to 6 Simultaneous Channels at up to 24-bit/96kHz Audio
- Bundle includes Studio Headphones for an optimal playback experience

Conclusion

It’s difficult to say which one is better, both devices are aimed at two different types of consumers. Tascam is good for hobbyist and available at a lower price range. While the Zoom is more expensive and aimed for professionals and newbies alike. For newbies it could be very tough to choose which one is better for you, but Tascam would be a much safer bet.

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